January 11, 2023
Here and Now – A Live Arts Initiative
Here and Now – A Live Arts Initiative Building off the success of its pilot project in 2021, Remai Modern…
January 11, 2023
Here and Now – A Live Arts Initiative Building off the success of its pilot project in 2021, Remai Modern…
December 6, 2022
Journal of the Plague Year(s) Diary: “A report from our bubble” Written by Dawna Rose and Betsy Rosenwald Saskatoon-based artists…
November 9, 2022
Sherry Farrell Racette – The Little Traveller In June 2022, Holly Aubichon, Sherry Farrell Racette and Tarah Hogue visited the…
November 3, 2022
Russna Kaur – Thoughts on line I was always told to follow the line, the straight line, to stay on…
October 30, 2021
Atautchikun | wâhkôtamowin: Curatorial Essay Curatorial Essay by Missy LeBlanc and Kablusiak Since contact, Inuit have been directly influenced by…
April 30, 2021
Sean Gross – Chokecherry Youth Response This poem is written in response to Ruth Cuthand’s Second Wave: COVID-19 Isolation wrecks us…
April 30, 2021
Betty Pewapsconias: Land Acknowledgments at Corporate Tables – Chokecherry Youth Response Betty Pewapsconias’ poem is a responsive piece to Adrian…
April 30, 2021
Shania Thompson: Inherited Resilience – Chokecherry Youth Response In response to Allen Sapp’s Grandmother with Medicine Bag 1969 Trauma, adversity Gave…
April 30, 2021
Huria Atiq: The Real Meaning Behind The Monster Picture – Chokecherry Youth Response In response to Jane Ash Poitras Screaming Shaman 1-4 (1994)…
December 17, 2020
Art is a Shapeshifter: Zadie Xa in conversation with Sarah Shin Sarah Shin is a publisher, curator and writer. She…