January 11, 2023
Here and Now – A Live Arts Initiative
Here and Now – A Live Arts Initiative Building off the success of its pilot project in 2021, Remai Modern…
Art & Artists
December 6, 2022
Journal of the Plague Year(s) — “A report from our bubble”
Journal of the Plague Year(s) Diary: “A report from our bubble” Written by Dawna Rose and Betsy Rosenwald Saskatoon-based artists…
November 9, 2022
Sherry Farrell Racette – The Little Traveller
Sherry Farrell Racette – The Little Traveller In June 2022, Holly Aubichon, Sherry Farrell Racette and Tarah Hogue visited the…
November 3, 2022
Russna Kaur – Thoughts on line
Russna Kaur – Thoughts on line I was always told to follow the line, the straight line, to stay on…
October 30, 2021
Atautchikun | wâhkôtamowin
Atautchikun | wâhkôtamowin Missy LeBlanc and Kablusiak Since contact, Inuit have been directly influenced by settlers. In the context of…
April 30, 2021
Huria Atiq: The Real Meaning Behind The Monster Picture
Huria Atiq: The Real Meaning Behind The Monster Picture Chokecherry Youth Response In response to Jane Ash Poitras Screaming Shaman 1-4 (1994) You…
April 30, 2021
Kiyari McNab: Dancing Alone
Kiyari McNab: Dancing Alone Chokecherry Youth Response In response to Jeffrey Gibson’s She Never Dances Alone (2019) Artist Bio: Kiyari…
April 30, 2021
Shania Thompson: Inherited Resilience
Shania Thompson: Inherited Resilience Chokecherry Youth Response In response to Allen Sapp’s Grandmother with Medicine Bag 1969 Trauma, adversity Gave…
April 30, 2021
BETTY PEWAPSCONIAS: Land Acknowledgments at Corporate Tables
BETTY PEWAPSCONIAS: Land Acknowledgments at Corporate Tables Chokecherry Youth Response I would like to Acknowledge we are on Treaty Six…
April 30, 2021
Sean Gross
Sean Gross Chokecherry Youth Response Isolation wrecks us all from the insideIt’s slow but methodicalSo methodical you fail to notice…
